The teenage songstress has a successful first concert in Uganda, despite facing initial scepticism about the venture.
Nigerian singer-songwriter Qing Madi has tagged her recent concert as “the most special day” in her musical life.
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Held at Zoe Grounds in Lugogo, the event not only defied the doubters but also turned into a memorable night.
Highlights from the concert show thousands of ecstatic fans, some shedding tears and others begging to join her on stage.
Before the concert, however, the Madi says there were concerns about the timing and pricing of the event.
Critics believed it was too soon for her to perform in such a large venue, given that she had only been active in the music industry for a little over a year.
Additionally, the ticket prices, which ranged from 50,000 UGX for early bird tickets to up to 150,000 UGX at the gate, were seen as steep.
Against all odds
However, the turnout and reception exceeded expectations, leading Qing Madi to express profound gratitude towards her fans for their overwhelming support and love.
“So many people discouraged me and said a lot about how it's too early, how I have only been in the industry for a year plus and how the tickets were overpriced. So many even said no one would attend my concert ,” She said.
“But I only listened to what GOD ALMIGHTY said and he approved of it It goes without saying that Uganda turned up for me and they showed me true love, one that I will never forget (Uganda)”
Qing Madi, born Chimamanda Pearl Chukwuma, is an 18-year-old artist from Benin City, Nigeria, known for her unique blend of Afro R&B.
She has rapidly made a name for herself in the music scene with hits like "American Love," "Ole," and "Chargie," and collaborations with notable artists such as Kizz Daniel and Simi.
The successful event in Uganda is particularly poignant considering past incidents where Nigerian artists faced challenges in the country.
Notably, Nigerian singers Tems and Omah Lay were previously detained in Uganda following a concert, an incident that sparked diplomatic concerns and highlighted the complexities of international music performances.