Brent Staples

<h1>The lie holds that the amendment ended a centurylong struggle by guaranteeing women the right to vote. </h1>

The truth is that it barred states from denying voting rights based on gender but “guaranteed” nothing.

More than a dozen states had already granted millions of women voting rights before ratification, and millions of other women — particularly African-Americans in the Jim Crow South — remained shut out of the polls for decades afterward.

While middle-class white women celebrated with ticker tape parades, black women in the former Confederacy were being defrauded by voting registrars or were driven away from registration offices under threat of violence.

When the black suffragist and civil rights leader Mary Church Terrell petitioned her white sisters for help, they responded that the disenfranchisement of black women was a race problem — not a gender problem — and beyond the movement’s writ.

This counterfeit distinction was familiar to black suffragists, who had argued for more than 50 years that they could no more separate gender from race in themselves than shed their skins.

The movement, however, had tended toward a definition of “women” that was implicitly limited to people of the gender who were white and middle class. Its most prominent advocates — Elizabeth Cady Stanton and Susan B.

Anthony — drove home that notion by rendering black women nearly invisible in their hugely influential “History of Woman Suffrage.”

As the push for white women’s rights neared its goal — a constitutional amendment — the movement hedged its bets by compromising with white supremacy.

Historians like Glenda Gilmore, Martha Jones, Nell Irvin Painter and Rosalyn Terborg-Penn have recently revised the whitewashed depiction of the women’s rights campaign by rescuing black suffragists from anonymity. This new, more inclusive portrait of the movement grows richer by the year and shows African-American women at the forefront of a struggle for universal rights that was far from over when white suffragists declared victory in 1920.

‘We Are All Bound Up Together’

The official suffrage history reduces the poet and novelist Frances Ellen Watkins Harper to a bit player, even though she was central to the struggles for both African-American and women’s rights and delivered what has come to be recognized as a visionary speech on the relationship between the two at the founding meeting of the American Equal Rights Association in 1866.

A formidable intellectual, Harper had forged her ideas about universal rights in the abolitionist movement, where she earned acclaim as a speaker sharing the platform with luminaries like Frederick Douglass, William Lloyd Garrison and Lucretia Mott.

Harper believed deeply in interracial collaboration but committed to it on the condition that white women treat black women as equals. As historian Alison M. Parker has written, Harper vexed white women reformers by accusing them “of being directly complicit in the oppression of blacks,” and by demanding that they rid themselves of racism.

A committed egalitarian, she balked when suffragists embraced a definition of “women” that included only the educated and the affluent. In a now famous speech given in New York, Harper told the audience that fates of black and white, rich and poor were “all bound up together.” She refused to decouple race from gender, arguing that the day-to-day racism she and other black women experienced was in fact a “women’s issue” that suffragists were obligated to confront.

“You white women speak here of rights,” Harper said that day in 1866. “I speak of wrongs.” Reciting the litany of humiliations that black women had to endure on public conveyances — not because they were women but because they were black — she asked, “Are there no wrongs to be righted?”

Harper’s speech anticipated by more than a century the “intersectional” legal analysis of critical race theorist Kimberlé Crenshaw, who showed how policies that treat race and gender as mutually exclusive deprive black women of redress in discrimination cases while also obscuring the fact that they struggle under the dual burdens of racism and sexism.

“History of Woman Suffrage” draws heavily on the proceedings of the 1866 meeting but tellingly leaves out Harper’s momentous speech. Historian Nell Irvin Painter argues that her words were “too strong” for white suffrage leaders who saw her polished, self-assured style as antithetical to what they viewed as blackness. They preferred the uneducated version of black womanhood embodied by the formerly enslaved suffragist Sojourner Truth, who entertained her audiences as she imparted her ideas.

Yet Harper’s poise and self-possession were the norm among the affluent freeborn black women who had time to engage with the suffrage movement. For example, sisters Harriett Forten Purvis and Margaretta Forten — daughters of the wealthy Philadelphia sailmaker and abolitionist James Forten and his wife, Charlotte — were central players in the staging of the Fifth National Woman’s Rights Convention in their hometown in 1854. Boston journalist Josephine St. Pierre Ruffin, who played a leadership role in the Massachusetts suffrage movement in the late 1800s, was the wife of the pro-suffrage state legislator George L. Ruffin.

Another respected suffragist and abolitionist — but again, whose voice is missing from the suffragist narrative — is Sarah Parker Remond, who grew up in a prominent New England family. Remond, like Harper, was a member of the American Equal Rights Association. She was popular on the abolitionist speaking circuit and also toured the Northeast with her brother, Charles, in the late 1860s in support of women’s voting rights.

Chroniclers of the suffrage struggle tended not to record their black peers. Fortunately, the 1853 lawsuit Remond filed against two men who ejected her from an opera in Boston for reasons of race provides a window into what she believed. Archivist Dorothy Porter Wesley writes in her study of the Remond family that the judge issued a forceful decision, “fully sustaining the equal rights of our Colored citizens.” We also know that Remond grew sufficiently tired of racism in the United States and fled to Europe.

While Remond stumped for suffrage in the North, Charlotte Rollin of Charleston, South Carolina, pursued the same mission in the Reconstruction-era South. Historian Rosalyn Terborg-Penn lists Rollin as the first South Carolinian to serve as a delegate at a national suffrage convention. In an 1870 speech — a rare occasion in which a black suffragist’s comments were set down — she argued for women’s rights under the universalist principle that denying rights to anyone endangers the rights of everyone:

“We ask suffrage not as a favor, not as a privilege, but as a right based on the ground that we are human beings, and as such entitled to all human rights. While we concede that woman’s ennobling influence should be confined chiefly to home and society, we claim that public opinion has had a tendency to limit woman’s sphere to too small a circle, and until woman has the right of representation this will last and other rights will be held by an insecure tenure.”

White Suffragist Racism

Last year, Chicago renamed a prominent downtown street for the celebrated newspaper editor and anti-lynching campaigner Ida B. Wells, who also played a starring role in the earlier 20th-century suffrage movement. Less well known in the city today is the estimable Wells contemporary Fannie Barrier Williams, a member of the black elite who had a profound impact on Chicago during more than three decades of civic and political activism.

As her biographer, Wanda Hendricks, points out, Barrier Williams broadened her influence by crossing racial lines, becoming the first black woman admitted to the Chicago Women’s Club, one of the most powerful white women’s groups in the country. She led the charge to get black women politically engaged and worked tirelessly to open the business world to them as well.

As Harper did, she dissented from the white suffrage movement’s gender-centric view of voting rights, arguing that “black women had unique needs that were defined as much by race as they were by gender and region,” making clear that she was less interested in a political candidate’s gender than in what he or she had to say about the plight of African-Americans. Beyond that, she bluntly reminded white women that racism in their ranks represented a prime obstacle for black women, writing “that the exclusion of colored women and girls from nearly all places of employment is due mostly to the meanness of American women.”

The New York Times last year published a belated obituary of Mary Ann Shadd Cary, another pathbreaking African-American suffragist, who died in 1893. Shadd Cary is thought to be the first black woman in North America to edit and publish a newspaper and was also one of the first African-American female lawyers in the United States.

The newspaper — founded in Canada in 1853 and called The Provincial Freeman — reveled in the accomplishments of black women in particular and provided a rich forum for its readership to express itself in ways that would have been unthinkable a short time earlier. The Freeman set out what historian Martha Jones describes as “an ambitious array of rights to which women were entitled.” These included the right to speak and write in public, to own and control property, to hold elective office and to enter the professions.

Shadd Cary galvanized black women in Washington when she tried unsuccessfully to register to vote in 1871 — a year before Anthony was arrested in Rochester, New York, for voting illegally in the presidential election.

Shadd Cary’s biographer, Jane Rhodes, writes that she was attracted to ideas put forward by Stanton and Anthony’s National Woman Suffrage Association and stayed close to the organization even though its leaders “spurned any association with the cause of black suffrage” and adopted the stance that “educated white women were better suited to vote than illiterate black males.” Shadd Cary was typical; black women often stayed with white organizations that were hostile to African-American interests to raise issues that would otherwise be ignored.

‘Turned Their Backs on Women of Color’

The ratification of the 19th Amendment set off celebratory parades all across the country. But confetti was still rustling in the streets when black women across the South learned that the segregationist electoral systems would override the promise of voting rights by obstructing their attempts to register.

Some black women succeeded in adding their names to the rolls. But as historian Liette Gidlow shows in her revelatory study of the period, the files of the Justice Department, the NAACP and African-American newspapers were soon bursting with letters, investigations and affidavits documenting the disenfranchisement of black women, especially in but not limited to former Confederate states.

In Virginia, Gidlow writes, a college-educated mother of four named Susie W. Fountain was required to take “a “literacy test” that consisted of a blank sheet of paper; the registrar subsequently determined that she had failed. She later told an NAACP investigator she was “too humiliated and angry to try again.” A Birmingham, Alabama, teacher, Indiana Little, was arrested and sexually assaulted after leading a large crowd to the registrar’s office. As Little said in a sworn affidavit, she was “beat over the head unmercifully and … forced upon the officer’s demand to yield to him in an unbecoming manner.”

In what became known as “The Election Day Massacre,” a white mob burned to the ground a prosperous black community in the Central Florida town of Ocoee after African-Americans tried to vote.

By this time, white suffragists had declared the battle for women’s voting rights won and embarked on a campaign to prove the amendment successful. They had no interest in signing on to a cause that would undercut that story line.

This betrayal was especially painful for the black suffragists like Coralie Franklin Cook, who had once said of her idol, Susan B. Anthony, who died 14 years before the ratification of the 19th Amendment, that “thousands of torches lighted by her hand will yet blaze the way to freedom for women.” By 1921, however, Cook lamented that, even though she had been “born a suffragist,” she had no choice but to retire from the field. The movement, she said, had “turned its back on women of color.” Organizations that are gearing up to commemorate next year’s centennial of the 19th Amendment are at risk of repeating that insult.

Americans are being forced to chose between a cherished lie and a disconcerting truth as they prepare to celebrate the centennial of the 19th Amendment in 2020.

When the suffrage movement sold out

<h1>Imagine trudging into a hotel with your family at midnight — after a long, grueling drive — and being turned away by a clerk who “loses” your reservation when he sees your black face.</h1>

This was a common hazard for members of the African-American elite in 1932, the year Dr. B. Price Hurst of Washington was shut out of New York City’s Prince George Hotel despite having confirmed his reservation by telegraph.

Hurst would have planned his trip differently had he been headed to the South, where “whites only” signs were ubiquitous and well-to-do black travelers lodged in homes owned by others in the black elite. Hurst was a member of Washington’s “Colored Four Hundred” — as the capital’s black upper crust once was known — and was familiar with having to plan his life around hotels, restaurants and theaters in the city, and throughout the Jim Crow South, that screened out people of color.

Hurst expected better of New York City. He did not let the matter rest after the Prince George turned his travel-weary family into the streets. He wrote an anguished letter to Walter White, then executive secretary of the NAACP, explaining how he had been rejected by four hotels before shifting his search to the black district of Harlem. He then sued the Prince George for violating New York state’s civil rights laws, winning a settlement that put the city’s hotels on notice that discrimination could carry a financial cost.

African-Americans who embraced automobile travel to escape filthy, “colored-only” train cars learned quickly that the geography of Jim Crow was far more extensive than they had imagined. The motels and rest stops that deprived them of places to sleep were just the beginning.

While driving, these families were often forced to relieve themselves in roadside ditches because the filling stations that sold them gas barred them from using “whites only” bathrooms.

White motorists who drove clunkers deliberately damaged expensive cars driven by black people — to put Negroes “in their places.”

“Sundown Towns” across the country banned African-Americans from the streets after dark, a constant reminder that the reach of white supremacy was vast indeed.

As still happens today, police officers who pulled over motorists of color for “driving while black” raised the threat that black passengers would be arrested, battered or even killed during the encounter.

Negro Traveler’s Bible

The Hurst case was a cause célèbre in 1936 when a Harlem resident and postal worker named Victor Hugo Green began soliciting material for a national travel guide that would steer black motorists around the humiliations of the not-so-open road and point them to businesses that were more than happy to accept colored dollars. As historian Gretchen Sullivan Sorin writes in her revelatory study of “The Negro Motorist Green Book,” the guide became “the bible of every Negro highway traveler in the 1950s and early 1960s.”

Green, who died in 1960, is experiencing a renaissance thanks to heightened interest from filmmakers: The 2018 feature film “Green Book” won three Golden Globes this month, and the documentary “Driving While Black” is scheduled for broadcast by PBS next year.

Then there is The New York Times opinion section’s Op-Doc film “Traveling While Black,” which debuted Friday at the Sundance Film Festival. The brief film offers a revealing view of the “Green Book” era as told through Ben’s Chili Bowl, a black-owned restaurant in Washington, and reminds us that the humiliations heaped upon African-Americans during that time period extended well beyond the one Hurst suffered in New York City.

Sandra Butler-Truesdale, born in the capital in the 1930s, references an often-forgotten trauma — and one of the conceptual underpinnings of the Jim Crow era — when she recalls that Negroes who shopped in major stores were not allowed to try on clothing before they bought it. Store owners at the time offered a variety of racist rationales, including that Negroes were insufficiently clean. At bottom, the practice reflected the irrational belief that anything coming in contact with African-American skin — including clothing, silverware or bed linens — was contaminated by blackness, rendering it unfit for use by whites.

This had deadly implications in places where emergency medical services were assigned on the basis of race. Of all the afflictions devised in the Jim Crow era, medical racism was the most lethal. African-American accident victims could easily be left to die because no “black” ambulance was available. Black patients taken to segregated hospitals, where they sometimes languished in basements or even boiler rooms, suffered inferior treatment.

In a particularly telling case in 1931, the light-skinned father of White, the NAACP leader, was struck by a car and mistakenly admitted to the beautifully equipped “white” wing of Grady Memorial Hospital in Atlanta. When relatives who were recognizably black came looking for him, hospital employees dragged the victim from the examination table to the decrepit Negro ward across the street, where he later died.

That same year, Juliette Derricotte, the celebrated African-American educator and dean of women at Fisk University, succumbed to injuries suffered in a car accident near Dalton, Georgia, after a white hospital refused her treatment.

Advertising to the Black Elite

Victor Hugo Green remains a mysterious figure about whom we know very little. He rarely spoke directly to “Green Book” readers, instead publishing testimonial letters in what the historian Cotten Seiler describes as an act of promotional “ventriloquism.” The debut edition did not exhort black travelers to boycotts or include demands for equal rights. Instead, Green represented the guide as a benign compilation of “facts and information connected with motoring, which the Negro Motorist can use and depend upon.”

The coolly reasoned language put white readers at ease and allowed the “Green Book” to attract generous corporate and government sponsorship. Green nevertheless practiced the African-American art of coded communication, addressing black readers in messages that went over white peoples’ heads. Consider the passage: “Today, our thousands of travelers, if they be thoughtful enough to arm themselves with a ‘Green Book,’ may free themselves of a lot of worry and inconvenience as they plan a trip.”

White readers viewed this as a common-sense statement about vacation planning. For African-Americans who read in black newspapers about the fates that befell people like Derricotte, the notion of “arming” oneself with the guide referred to taking precautions against racism on the road.

The “Green Book” was subversive in another way as well. It promoted an image of African-Americans that white Americans rarely saw — and that Hollywood deliberately avoided in films for fear of offending racist Southerners. The guide’s signature image, shown on the cover of the 1948 edition — and used as stationery logo for Victor Green Inc. — consisted of a smiling, well-dressed couple striding toward their car carrying expensive suitcases.

Green believed exposing white Americans to the black elite might persuade white business owners that black consumer spending was significant enough to make racial discrimination imprudent. Like the black elite itself, he subscribed to the view that affluent travelers of color could change white minds about racism simply by venturing to places where black people had been unseen. As it turned out, black travelers had a democratizing effect on the country.

Like many African-American institutions that thrived during the age of extreme segregation, the “Green Book” faded in influence as racial barriers began to fall. It ceased publication not long after the Supreme Court ruled that the Civil Rights Act of 1964 outlawed racial discrimination in public accommodations. Nevertheless, the guide’s three decades of listings offer an important vantage point on black business ownership and travel mobility in the age of Jim Crow.

In other words, the “Green Book” has a lot more to say about the time when it was the Negro traveler’s bible.

This article originally appeared in <a id="2c7df92a-93db-4aa0-9134-7b965488cb4b" href="https://www.nytimes.com/2019/01/25/opinion/green-book-black-travel.html">The New York Times</a>.

This was a common hazard for members of the African-American elite in 1932, the year Dr. B. Price Hurst of Washington was shut out of New York City’s Prince George Hotel despite having confirmed his reservation by telegraph.

The green book's black history

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Brent Staples

Articles written by the author

When the suffrage movement sold out

The green book's black history